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“Narco-terrorism” is a new word but it’s an old and dirty trick. For the Punjabis this is a bitter truth and they know that they are fighting a losing battle. To most people in India this may be a revelation but those who live close to Punjab know very well that this has been going on for ten years now. The drug problem of Punjab is something more serious than a few teenagers falling into bad company – it’s almost an epidemic. “If it helps even one person to quit drugs, I am happy,” he said. Shahid Kapoor, the star of the film, said that he has received mails from young addicts who have decided to give up drugs after watching this film. To come back to the first aim of the film – drawing people’s attention to the rampant drug abuse in Punjab – even that has been a success. The CBFC has probably understood that the more one tries to stop a film from being seen the more the public will make a dash for it.
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Now that the dust has settled down on the controversy, everyone can sit back and reflect on the true role of the Certification Board and also on how to tackle the piracy issue. Not only have they recovered their money but they have also earned good profits on their investments. From being worried about not being able to show Udta Punjab at all or with cuts that would have reduced the film to nothing, and being faced with the prospects of not being able sell any tickets at the box-office, the producers are now celebrating a commercial success, after two weeks of its release. Not only that, but it has done very well at the box office. In spite of such great difficulties, the film managed to get a clearance from the courts and opened in cinemas across the globe on 17th June. “If you want to see good films then you have to let the producers earn money,” urged Alia Bhatt. The stars were out on social media and explaining to the public that if they watched the film without paying for it they would actually be stopping the producers from getting back the money that they had invested.
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Anurag Kashyap who had spent stressful days and sleepless nights, fighting to get the film released without the cuts was now begging the public not to download the film. People could just download it and watch it for free. The whole film industry stood united and supported the legal battle that the producers undertook at that point because many others had been victims of the arbitrary ways in which the CBFC had already demanded cuts in earlier films.Īs if that wasn’t enough, someone leaked the film onto the internet only two days before the release.
Blocking the release at that point was going spell financial disaster.
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The dates of the release had been fixed and the promotion was in full swing.
Everyone can now see how ridiculous this demand was. To everyone’s surprise it wanted 89 cuts in the film, mainly because of foul language, and also to remove the name ‘Punjab’ from the title. The CBFC, which is supposed to certify films, has in fact been acting as an agency to censor them and to decide what the audience should watch. In short, the film killed three birds with one stone. It set out to expose the drug abuse problem in Punjab but actually it has also exposed the outdated mindset of the Central Board of Film Certification as well as the unresolved question of piracy. Abhishek Chaubey’s Udta Punjab has opened a new chapter in the history of Indian cinema.
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